Dead Souls
Gogol Nikolai Gogol
Since its publication in 1842, Dead Souls has been celebrated as a supremely realistic portrait of provincial Russian life and as a splendidly exaggerated tale; as a paean to the Russian spirit and as a remorseless satire of imperial Russian venality, vulgarity, and pomp. As Gogol’s wily antihero, Chichikov, combs the back country wheeling and dealing for "dead souls"--deceased serfs who still represent money to anyone sharp enough to trade in them--we are introduced to a Dickensian cast of peasants, landowners, and conniving petty officials, few of whom can resist the seductive illogic of Chichikov’s proposition.
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“Apparently that does sometimes happen. Apparently even men like Chichikov are transformed into poets for a few moments in their lives: though the word "poet" would be an exaggeration here.”
Dead Souls • Nikolai Gogol
“The gentleman lolling back in the chaise was neither dashingly handsome nor yet unbearably ugly, neither too stout nor yet too thin; it could not be claimed he was old but he was no stripling, either. His arrival in the town created no stir and was not marked by anything out of the ordinary.”
Dead Souls • Nikolai Gogol