Explanation

A must-have new edition of Virginia Woolf's masterpiece, featuring a cover illustrated by Alison Bechdel, the New York Times bestselling author of Fun Home, and a new foreword by Patricia LockwoodA Penguin Classics Graphic Deluxe EditionEvery summer, Mr. and Mrs. Ramsey and their eight children vacation on Scotland's idyllic Isle of Skye, surrounded by artist friends. They expect these summers will go on forever, but with the arrival of World War I, they are forced to reckon with change, loss, and time's unstoppable march, before making, years later, the long-awaited return to Skye and to its towering lighthouse. An intimate, impressionistic meditation on memory, grief, the brutalities of war, and the tensions of domestic life, revolutionary for its use of stream of consciousness and shifting points of view, and infused with a singular poetic essence, To the Lighthouse is both a landmark in modernist writing and one of the greatest literary works of the twentieth century.This edition is collated from all known proofs, manuscripts, and impressions to reflect the author's intentions, and includes a catalogue of emendations, a foreword by the acclaimed novelist, memoirist, and poet Patricia Lockwood, and an introduction by the distinguished biographer and critic Hermione Lee.

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quotes (14)
Language

English

ISBN

9780143137580

Number of pages

288

Category

To the Lighthouse - Virginia Woolf

Like a ghostly roll of drums remorselessly beat the measure of life.
O how blessed it would be never to marry, or grow old; but to spend one's life innocently and indifferently among the trees and rivers which alone can keep one cool and childlike in the midst of the troubles of the world!
One could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? express that emptiness there?
He began to seach among the infinite series of impressions which time had laid down, leaf upon leaf, fold upon fold softly, incessantly upon his brain; among scents, sounds; voices, harsh, hollow, sweet; and lights passing, and brooms tapping; and the wash and hush of the sea.
It seemed ... such nonsense -- inventing differences, when people, heaven knows, were different enough without that.
What could be more serious than the love of man for woman, what more commanding, more impressive, bearing in its bosom the seeds of death; at the same time these lovers, these people entering into illusion glittering eyed, must be danced round with mockery, decorated with garlands.
Beauty had this penalty -- it came too readily, came too completely. It stilled life -- froze it. One forgot the little agitations; the flush, the pallor, some queer distortion, some light or shadow, which made the face unrecognisable for a moment and yet added a quality one saw for ever after. It was simpler to smooth that all out under the cover of beauty.
To be caught happy in a world of misery was for an honest man the most despicable of crimes.
It is permissible even for a dying hero to think before he dies how men will speak of him hereafter. His fame lasts perhaps two thousand years. And what are two thousand years?... What, indeed, if you look from a mountain top down the long wastes of the ages? The very stone one kicks with one's boot will outlast Shakespeare.
Love had a thousand shapes.
What is the meaning of life?... A simple question; one that tended to close in on one with years. The great revelation had never come. The great revelation perhaps never did come. Instead there were little daily miracles, illuminations, matches struck unexpectedly in the dark.
Life, from being made up of little separate incidents which one lived one by one, became curled and whole like a wave which bore one up with it and threw one down with it, there, with a dash on the beach.
A light here required a shadow there.
To follow her thought was like following a voice which speaks too quickly to be taken down by one's pencil, and the voice was her own voice saying without prompting undeniable, everlasting, contradictory things.