Explanation

A pioneering work of modernist fiction, using her unique stream-of-consciousness technique to explore the inner lives of her characters, Virginia Woolf's To the Lighthouse is widely regarded as one of the greatest artistic achievements of the twentieth century. This Penguin Classics edition is edited by Stella McNichol, with an introduction and notes by Hermione Lee. To the Lighthouse is at once a vivid impressionistic depiction of a family holiday, and a meditation on marriage, on parenthood and childhood, on grief, tyranny and bitterness. For years now the Ramsays have spent every summer in their holiday home in Scotland, and they expect these summers will go on forever; but as the First World War looms, the integrity of family and society will be fatally challenged. The novel's use of memory, reminiscence and shifting perspectives gives it an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values. Virginia Woolf (1882-1941) is regarded as a major 20th century author and essayist, a key figure in literary history as a feminist and modernist, and the centre of 'The Bloomsbury Group', an informal collective of artists and writers that exerted a powerful influence over early twentieth-century British culture. Between 1925 and 1931 she produced what are now regarded as her finest masterpieces, from Mrs Dalloway (1925) to the poetic and highly experimental novel The Waves (1931). She also maintained an astonishing output of literary criticism, short fiction, journalism and biography, including the playfully subversive Orlando (1928) and A Room of One's Own (1929) a passionate feminist essay. 'Bears endless re-reading ... the sea encircles the story in a brilliant ebb and flow'Rachel Billington

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quotes (14)
Language

English

ISBN

9780241371954

Number of pages

320

Publisher

Penguin UK

Category

To the Lighthouse - Virginia Woolf

Like a ghostly roll of drums remorselessly beat the measure of life.
O how blessed it would be never to marry, or grow old; but to spend one's life innocently and indifferently among the trees and rivers which alone can keep one cool and childlike in the midst of the troubles of the world!
One could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? express that emptiness there?
He began to seach among the infinite series of impressions which time had laid down, leaf upon leaf, fold upon fold softly, incessantly upon his brain; among scents, sounds; voices, harsh, hollow, sweet; and lights passing, and brooms tapping; and the wash and hush of the sea.
It seemed ... such nonsense -- inventing differences, when people, heaven knows, were different enough without that.
What could be more serious than the love of man for woman, what more commanding, more impressive, bearing in its bosom the seeds of death; at the same time these lovers, these people entering into illusion glittering eyed, must be danced round with mockery, decorated with garlands.
Beauty had this penalty -- it came too readily, came too completely. It stilled life -- froze it. One forgot the little agitations; the flush, the pallor, some queer distortion, some light or shadow, which made the face unrecognisable for a moment and yet added a quality one saw for ever after. It was simpler to smooth that all out under the cover of beauty.
To be caught happy in a world of misery was for an honest man the most despicable of crimes.
It is permissible even for a dying hero to think before he dies how men will speak of him hereafter. His fame lasts perhaps two thousand years. And what are two thousand years?... What, indeed, if you look from a mountain top down the long wastes of the ages? The very stone one kicks with one's boot will outlast Shakespeare.
Love had a thousand shapes.
What is the meaning of life?... A simple question; one that tended to close in on one with years. The great revelation had never come. The great revelation perhaps never did come. Instead there were little daily miracles, illuminations, matches struck unexpectedly in the dark.
Life, from being made up of little separate incidents which one lived one by one, became curled and whole like a wave which bore one up with it and threw one down with it, there, with a dash on the beach.
A light here required a shadow there.
To follow her thought was like following a voice which speaks too quickly to be taken down by one's pencil, and the voice was her own voice saying without prompting undeniable, everlasting, contradictory things.