I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which 'Escape' is now so often used. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls? On Fairy-Stories

The body is a source of endless trouble to us by reason of the mere requirement of food; and is also liable to diseases which overtake and impede us in the search after truth: and by filling us so full of loves, and lusts, and fears, and fancies, and idols, and every sort of folly, prevents our ever having, as people say, so much as a thought. The Trials Of Socrates

“And time after time, his smile became more similar to the ferryman’s, became almost just as bright, almost just as thoroughly glowing with bliss, just as shining out of thousand small wrinkles, just as alike to a child’s, just as alike to an old man’s. Many travelers, seeing the two ferrymen, thought they were brothers. Often, they sat in the evening together by the bank on the log, said nothing and both listened to the water, which was no water to them, but the voice of life, the voice of what exists, of what is eternally taking shape. And it happened from time to time that both, when listening to the river, thought of the same things, of a conversation from the day before yesterday, of one of their travelers, the face and fate of whom had occupied their thoughts, of death, of their childhood, and that they both in the same moment, when the river had been saying something good to them, looked at each other, both thinking precisely the same thing, both delighted about the same answer to the same question.” Siddhartha

„When artists create pictures and thinkers search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something that lasts longer than we do.“ Narcissus and Goldmund