I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which 'Escape' is now so often used. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls? On Fairy-Stories

It was strange how both realms bordered on each other, how close together they were! For example, when Lina, our servant girl, sat with us by the living-room door at evening prayers and added her clear voice to the hymn, her washed hands folded on her smoothed-down apron, she belonged with father and mother, to us, to those that dwelled in light and righteousness. But Demian

A word in earnest is as good as a speech. Bleak House

Old age realizes the dreams of youth: look at Dean Swift; in his youth he built an asylum for the insane, in his old age he was himself an inmate. Either/Or